South Carolina Percussive Arts Society pas
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2009 Day of Percussion

SCBDA

For Band Directors

Thanks to everyone who came to the 2009 Day of Percussion and for making it such a huge success! Couldn’t make it? Wish it never ended? Here is a recap on the day:

 

Annual Chapter Meeting Minutes

She-e Wu Clinic Pictures

Omar Carmenates Clinic Pictures

N. Scott Robinson Clinic Pictures

Ridgeview High School Percussion Ensemble Pictures

Officers and She-e Wu

 

The 2010 South Carolina Day of Percussion will be on

Saturday, April 17th

Mark your calendars now!

More information to be posted as it is made available.

Clinic Topics for the 2009 SC Day of Percussion

Hand Drumming & Brushes - N. Scott Robinson

The Hand Drumming & Brushes Clinic by N. Scott Robinson shows percussionists practical applications with techniques they may already be familiar with. Technical issues such as combining drumset independence and frame drum technique with the timbral expansion of mixing brushes and hand drumming are presented on bodhran, djembe, udu, congas, and cajon so that percussionists are given practical contemporary ideas to help stimulate creativity and improvisation.

Omar Carmenates: Marching Percussion Clinic

In his clinic, Furman University Professor Omar Carmenates will discuss his aurally-based approach for the contemporary marching percussionist. This approach, which he developed during his time as the Percussion Caption Head/Arranger for the Boston Crusaders Drum & Bugle Corps, focuses on tone quality, increasing aural awareness, and chamber music principles that can be applied to the marching percussion ensemble. Omar will also be joined by the South Carolina Indoor percussion ensemble "Palmetto Percussion" for a collaboration of ideas throughout the clinic.

She-e Wu

Director of percussion studies at Northwestern University and well known marimba artist She-e Wu will be giving a clinic on performance and practice techniques on marimba. This clinic will be a very "hands on" approach in which She-e will be working with several audience members to help demonstrate various ways to approach playing mallet instruments with the utmost expression and control.

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